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The Monthly List: April and May’s Top 21 Albums

A short and sweet “Monthly” this time around. Lots of changes on the horizon for me, including new work. Reviews will still come, probably at about the same rate, maybe slower, though this may be the last thing I put on the blog until the end of the month. My goal is always to write more, but coming home from one eight hour job and jumping right into another that requires an equal amount of hard work (or more) can be tiring.

Expect more, but smaller posts, and maybe a series of much briefer reviews to help get through all the amazing music that’s coming out this year (or that has already been out for awhile).

Links to my favorite sites for reviews and information can now be found in the sidebar. You can always find good info at Brainwashed.com, Dusted, Just Outside, and All Music Guide, and samples are available virtually everywhere. Forced Exposure and Boomkat are good places to go if you’re looking for the more obscure stuff.

As always, formats posted are the ones I own. Further record-buying resources can be found in the sidebar as well.

  • Carl Hultgren, Tomorrow on BLUE FLEA (CD)
  • Windy & Carl, I Walked Alone/At Night on BLUE FLEA (7″)
  • Good Area, Cubic Zirconia/Bad Karlshafen on KYE (7″)
  • Fennesz, Bécs on EDITIONS MEGO (CD)
  • COH, To Beat on EDITIONS MEGO (CD)
  • Coppice, Vantage/Cordoned on CADUC. (CD)
  • Venetian Snares, Huge Chrome Cylinder Box Unfolding on PLANET MU (CD)
  • Photek, Risc vs Reward on ASTRALWERKS (CD)
  • Marcus Schmickler & Julian Rohrhuber, Politiken der Frequenz on EDITIONS MEGO/TOCHNIT ALEPH (MP3)
  • Jason Lescalleet, Electronic Music on RRR (LP)
  • Jason Lescalleet, Much to My Demise on KYE (LP)
  • Robert Beatty, Soundtracks for Takeshi Murata on GLISTENING EXAMPLES (LP)
  • Kyle Bobby Dunn, … and the Infinite Sadness on STUDENTS OF DECAY (MP3)
  • Ambarchi/O’Malley/Dunn, Shade Themes from Kairos on DRAG CITY (MP3)
  • Wen, Signals on KEYSOUND RECORDINGS (MP3)
  • Angus MacLise, The Cloud Doctrine on SUB ROSA (2CD)
  • Kuupuu, Sous Juju on EM RECORDS (2CD)
  • Loren Connors, Night Through: Singles and Collected Works 1976-2004 on FAMILY VINEYARD (3CD)
  • Jack Rose, Kensington Blues on VHF RECORDS (LP)
  • Shirley Collins, Sweet England on FLEDG’LING RECORDS (CD)
  • The Clean, Anthology on MERGE (2CD)
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Review: Windy & Carl, “I Walked Alone/At Night” (Blue Flea)

A little more than 20 years ago, in the fall of 1993, Windy Weber and Carl Hultgren started the Blue Flea label together in order to release their first record. Pressed to black wax, or purple if you were very lucky, the Watersong/Dragonfly 7” was presented in a simple green sleeve with a picture of a tree on one side and, on the other, the image of three broad maple leaves. Last year, for Record Store Day 2013, Windy and Carl inaugurated their 20th anniversary celebrations with the release of a cassette documenting their 2009 performance at the Solar Culture Gallery in Tucson, Arizona, a single night on what they claim was their last ever tour. Then, in December, they reunited with Dominic Martin, who put out the Emerald 7” on Enraptured in 1995, and released the Calliope/Carnivale single. The cassette caught Windy and Carl somewhere between We Will Always Be and Songs for the Broken Hearted mode, but the 45 was a glance over their shoulders, with a surprise percussion-injected twist tucked away on the B-side. Pressed to red vinyl (the orange vinyl edition sold out in a flash) and adorned in bright, hand painted sleeves that resemble fossilized leaves, I Walked Alone/At Night concludes the celebratory trilogy with a pair of reflective beauties, cool and crystalline from a distance, but red hot at their core. It is a fiery return to that green-sleeved single from 1993, reinforced and refreshed by Windy’s new-found inspiration, Carl’s seemingly effortless playing, and 20 years of hard work.

Windy and Carl’s last two full-length albums saw them become an entirely new band. They’d never been as rock ‘n’ roll as the space-rock label suggested, but in the seven years between 2001’s Consciousness and 2008’s Songs for the Broken Hearted they had left the earthy orbit of their more song-based material behind entirely. By 2012’s We Will Always Be, they had tumbled through empty space and sailed straight into the sun, where Windy’s vocals turned to liquid heat and Carl’s weighty drones became streams of white hot light. The songs melted away, the bodies burned away, and all that was left was their sound: Windy and Carl. Think of it as one name, without the conjunction or the spaces.

Read more… (Brainwashed.com)
Samples here… (Bandcamp)