The last time I Love You But I’ve Chosen Darkness released a record, George W. Bush was president, Twitter was the latest social networking innovation, Burial was a new buzz word on everyone’s lips, and James Brown was still alive and touring. The Knife were riding high on the success of Silent Shout and Brainwashed readers were placing records by bands like Wolf Eyes, Comets on Fire, and Xiu Xiu high atop the annual reader’s poll. I Love You But I’ve Chosen Darkness won some recognition that year too. According to Plan nabbed a spot in the top five singles of the year and “The Owl” nearly beat out Boards of Canada’s “Dayvan Cowboy” for Brainwashed’s best loved music video of 2006. Then a seemingly terminal eight-year silence ensued. Now the band has returned with Dust, as if nothing happened. Their lineup is unchanged, Ministry’s Paul Baker is still behind the mixing board, and the artwork is as austere as before. And though much in the music is also familiar, the group’s focus has changed. They cast a wider net on Dust. There’s more variety and the songs are denser this time around, layered thick with circular melodies and crisscrossing guitars.
I Love You But I’ve Chosen Darkness open Dust with “Faust,” a song they beat out with surgical exactitude. It’s fast paced, built on a thumping rhythm section, and driven by a simple guitar riff that winds in and out of the lead guitar’s meandering accents. The song twitches with energy, as if the band were just itching to play together again, but the performance is controlled, channeled into a concise, coolly played four minutes. “Come Undone,” and, to some extent, “Stay Awake,” feed on that same energy. A quick moving, tightly wound melody skips through the heart of all three songs, and on each the bass and drums add variety to the already rhythm heavy core. The lead guitarist extracts little hidden melodies from inside that wave of sound and spins them through the air, completing the illusion that these songs are all unspooling as they fall through space.
These are songs the band could have written in 2007 or ’08, after wrapping up their tour for Fear Is on Our Side. They’re white knuckle rockers that burn with the same fire as “According to Plan,” but they are far more insistent, far less translucent, and far from the norm.