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The Monthly List: March’s Top 15 Albums

coppice_grass2014 continues with more great new music than any one person could possibly keep up with. I managed to cover one or two things in the last month, including Robot Records’ 3CD retrospective of Jacques Lejeune’s work. It’s probably the best GRM-related release I’ve seen since the INA-GRM put out those Luc Ferrari and Bernard Parmegiani sets in 2008 and 2009. I highly recommend it. If you’re looking for a place where you can get a copy, it’s currently available at Other Music.

I also covered Nicholas Szczepanik’s Not Knowing for Dusted in Exile, which is one of the more gorgeous recordings of 2014 so far.  As long as you’re there, you should also check out Jennifer Kelly’s review of Damien Jurado’s new record. Not so much on the experimental side of things, but a great record and worth checking out.

I’ve been catching up with and writing about Coppice and Haptic and I hope to get something together for The Patient as well. Those three recordings have most of my attention at the moment.

But there’s lots of new music coming from Editions Mego that I want to hear too. Along with the Schmickler/Rohrhuber LP below, which I’m slowly digesting, there’s new music from COH, LCC, Mika Vainio, Russell Haswell and Fennesz on the way. You can preview all of that on their website.

There’s also two new releases from Erstwhile, four new records and a 7″ from Kye, a boatload of Alga Marghen reissues, a new Thomas Ankersmit CD on Touch, and several new Sub Rosa projects that are either out now or soon to be available. Nevermind that Record Store Day is just a few days away, there’s more than enough music out there now to keep you record hunting for a good long time.

Links to my favorite sites for reviews and information are found at the bottom of the page. You can always find good info at Brainwashed.comDusted, Just Outside, and All Music Guide, and samples are available virtually everywhere. Forced Exposure and Boomkat are good places to go if you’re looking for the more obscure stuff.

As always, formats posted are the ones I own. Further record-buying resources can be found at the bottom of this page.

  • Coppice, Vantage/Cordoned on CADUC. (CD)
  • Haptic, Abeyance on ENTR’ACTE (CD)
  • Joseph Clayton Mills, The Patient on ENTR’ACTE (CD/BOOK)
  • Donato Dozzy, Plays Bee Mask on SPECTRUM SPOOLS (CD)
  • Voices from the Lake feat. Donato Dozzy & Neel, Voices from the Lake on PROLOGUE (CD)
  • Various Artists, Enjoy the Silence Vol. 2 on MULE ELECTRONIC (CD)
  • Dead Rider, Chills on Glass on DRAG CITY (CD)
  • Marcus Schmickler & Julian Rohrhuber, Politiken der Frequenz on EDITIONS MEGO (DIGITAL)
  • Jacques Lejeune, Parages and Other Electroacoustic Works 1971 – 1985 on ROBOT (3CD)
  • Michael Pisaro/Greg Stuart, Closed Categories in Cartesian Worlds on GRAVITY WAVE (CD)
  • Nicholas Szczepanik, Not Knowing on DESIRE PATH/TANGENTS (DIGITAL)
  • Gas, Nah und Fern on KOMPAKT (4CD)
  • Damien Jurado, Brothers and Sisters of the Eternal Sun on SECRETLY CANADIAN (CD)
  • Hiss Golden Messenger, Haw on PARADISE OF BACHELORS (LP)
  • David Bowie, Heroes on RYKO (CD)
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Review: Nicholas Szczepanik, “Not Knowing” (Desire Path)

Halfway through Nicholas Szczepanik’s Not Knowing things take a turn for the dark. It required a full 25 minutes to unfold them, but it takes only a few short moments for Szczepanik to stab his gilded melodies and let them die. First the strings lose their luster, then they grow still and cold, and finally they sink into icy cold waters. Afterward, all that remains of their swaying, sentimental song is a muffled harmonic echo and the barest suggestion that something warm still persists below the surface. But the music sweeps us along, and the symphony finally fades into a wavy blur of shivering tones. The transition is forlorn and paradoxically comforting, like recalling a happy memory and realizing you’re unlikely to experience anything like it ever again.

Not Knowing first saw the light of day in 2011, when it served as the inaugural disc in Szczepanik’s Ante Algo Azul subscription series. It was a brief 18-minute piece on a 3-inch CD-R, extremely limited, housed in a handmade sleeve and sealed with a dedication to Eliane Radigue, whose work served as an inspiration for the music. You can hear her at points throughout the album: in the patient introduction, in the pulsing analog tones, and in the directness of the elements employed. Her influence is clear, but Szczepanik does a lot more than imitate her work.

Read more… (at Dusted)