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Review: Marcus Schmickler & Julian Rohrhuber, “Politiken der Frequenz” (Editions Mego/Tochnit Alpeh)

Plenty of records get tagged with an experimental or exploratory label because they’re unconventional. Toss any combination of melody, rhythm or identifiable structure out the window, and you are bound to win a cocked eyebrow or two. Pound whatever’s left out on an old-fashioned synthesizer or slip some shred of musical theory into the mix and presto — you’ve earned yourself an investigator’s badge and maybe a bit more leeway than you might have otherwise had. Not that that is such a bad thing. Unusual instrumentation and perplexing performance strategies have led to many great and interesting places, but just as often they serve to mask fairly conventional and well-worn ideas, as loose and unfocused as they are open-ended.

Then there are records like Politiken der Frequenz, which asks numerous difficult questions and proceeds according to very particular — and potentially revolutionary — notions. Recorded by Marcus Schmickler and Julian Rohrhuber and released by Editions Mego and Tochnit Aleph, Politiken derives a good portion of its digital heat from the peculiar set of influences that burn beneath it. Philosophy, finance, politics, theoretical mathematics and history all meet in its liner notes and, at least to some extent, in the music itself, where prime integers, common denominators and set theory are all utilized as musical resources. The results run from pleasant computerized tones with ambient leanings to hard-edged noise driven by low resolution arcade sounds, number station test tones and glassy harmonies wiped clean by over-processing.

The brief essay that accompanies the record, and that serves as both the album’s artwork and its lyric book, references French philosopher Alain Badiou’s work with surreal numbers in Number and Numbers, German mathematician Julius Wilhelm Richard Dedekind’s theory concerning the nature of real numbers, and historical problems, both philosophical and musical, associated with Pythagorean ontology.

Read more (Dusted in Exile)

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The Monthly List: March’s Top 15 Albums

coppice_grass2014 continues with more great new music than any one person could possibly keep up with. I managed to cover one or two things in the last month, including Robot Records’ 3CD retrospective of Jacques Lejeune’s work. It’s probably the best GRM-related release I’ve seen since the INA-GRM put out those Luc Ferrari and Bernard Parmegiani sets in 2008 and 2009. I highly recommend it. If you’re looking for a place where you can get a copy, it’s currently available at Other Music.

I also covered Nicholas Szczepanik’s Not Knowing for Dusted in Exile, which is one of the more gorgeous recordings of 2014 so far.  As long as you’re there, you should also check out Jennifer Kelly’s review of Damien Jurado’s new record. Not so much on the experimental side of things, but a great record and worth checking out.

I’ve been catching up with and writing about Coppice and Haptic and I hope to get something together for The Patient as well. Those three recordings have most of my attention at the moment.

But there’s lots of new music coming from Editions Mego that I want to hear too. Along with the Schmickler/Rohrhuber LP below, which I’m slowly digesting, there’s new music from COH, LCC, Mika Vainio, Russell Haswell and Fennesz on the way. You can preview all of that on their website.

There’s also two new releases from Erstwhile, four new records and a 7″ from Kye, a boatload of Alga Marghen reissues, a new Thomas Ankersmit CD on Touch, and several new Sub Rosa projects that are either out now or soon to be available. Nevermind that Record Store Day is just a few days away, there’s more than enough music out there now to keep you record hunting for a good long time.

Links to my favorite sites for reviews and information are found at the bottom of the page. You can always find good info at Brainwashed.comDusted, Just Outside, and All Music Guide, and samples are available virtually everywhere. Forced Exposure and Boomkat are good places to go if you’re looking for the more obscure stuff.

As always, formats posted are the ones I own. Further record-buying resources can be found at the bottom of this page.

  • Coppice, Vantage/Cordoned on CADUC. (CD)
  • Haptic, Abeyance on ENTR’ACTE (CD)
  • Joseph Clayton Mills, The Patient on ENTR’ACTE (CD/BOOK)
  • Donato Dozzy, Plays Bee Mask on SPECTRUM SPOOLS (CD)
  • Voices from the Lake feat. Donato Dozzy & Neel, Voices from the Lake on PROLOGUE (CD)
  • Various Artists, Enjoy the Silence Vol. 2 on MULE ELECTRONIC (CD)
  • Dead Rider, Chills on Glass on DRAG CITY (CD)
  • Marcus Schmickler & Julian Rohrhuber, Politiken der Frequenz on EDITIONS MEGO (DIGITAL)
  • Jacques Lejeune, Parages and Other Electroacoustic Works 1971 – 1985 on ROBOT (3CD)
  • Michael Pisaro/Greg Stuart, Closed Categories in Cartesian Worlds on GRAVITY WAVE (CD)
  • Nicholas Szczepanik, Not Knowing on DESIRE PATH/TANGENTS (DIGITAL)
  • Gas, Nah und Fern on KOMPAKT (4CD)
  • Damien Jurado, Brothers and Sisters of the Eternal Sun on SECRETLY CANADIAN (CD)
  • Hiss Golden Messenger, Haw on PARADISE OF BACHELORS (LP)
  • David Bowie, Heroes on RYKO (CD)