Laughter

the human race has one really effective weapon


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The Monthly List: October’s Top 13

the_shining_tommyA much delayed October listing, and an abbreviated one, which will probably be the norm from now on. I’m focusing more on writing reviews, with three finished and waiting to be published, three more in the works, and hopefully some interviews too.

Links to my favorite sites for reviews and information are found at the bottom of the page. You can always find good info at Brainwashed.com, Just Outside, and All Music Guide, and samples are available virtually everywhere. Forced Exposure and Boomkat places are good places to go looking for the more obscure stuff.

From now on I’ll only link to the labels here, and put more effort into making shorter posts about my favorite records throughout the month.

As always, formats posted are the ones I own. Others may be available. If you like any of the samples I link to, please buy the album. You can find numerous retailers carrying these titles at the bottom of this page.

  • FKA Twigs, EP2 on YOUNG TURKS (LP)
  • Antoine Beuger/Michael Pisaro, This Place/Is Love on ERSTWHILE (CD)
  • Annette Krebs/Taku Unami, Motubachii on ERSTWHILE (CD)
  • Graham Lambkin/Jason Lescalleet, The Breadwinner on ERSTWHILE (CD)
  • Various Artists, Weary Engine Blues: A Tribute to Jason Molina on GRAVEFACE (2CD)
  • Joe McPhee, Nation Time on ATAVISTIC (CD)
  • Evan Parker & Joe McPhee, What/If/They Both Could Fly on RUNE GRAMMOFON (CD)
  • Albert Ayler, Nuits de la Fondation Maeght 1970 on WATER (CD)
  • The Stranger, Watching Dead Empires in Decay on MODERN LOVE (CD)
  • Jessika Kenney & Eyvind Kang, The Face of the Earth  on IDEOLOGIC ORGAN (LP)
  • Moniek Darge, Sounds of Sacred Places on KYE (CD)
  • Graham Lambkin, Abersayne/Attersaye on KYE (7″)
  • Kevin Drumm, Humid Weather on SELF-RELEASED (CD)
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Broadcast 03: Four for Lou/Free Jazz

dolphy_in_studioBelow are two links to the WZBC Archives where you can listen to my October 27th radio show, broadcast on WZBC 90.3 FM in Boston. Those links will remain active until November 10th, at which point the show will disappear and be replaced by a new one. I will not be uploading permanent MP3 links.

I intended to play two solid hours of jazz on Sunday night, from musicians like John Coltrane, Albert Ayler, Sun Ra, and Joe McPhee. But after reading about Lou Reed’s death before heading into the studio, I grabbed three Velvet Underground records and played a few of my favorites from those. Many great words have been written about Lou Reed in the last day and half, all of them by people who have spent much longer with his music than I have. I encourage you to read the obituaries from Sasha Frere-Jones and Punk magazine co-founder Legs McNeil.

Here’s an excerpt from McNeil’s piece:

Lou Reed articulated things that were never supposed to be clarified, like those “rushing” sounds on “Heroin.” I actually get goose bumps listening to those sustained notes of the different drugs flowing from my bloodstream and magically walloping my brain that the song mimics. I mean, that’s a real fucking achievement—to audibly duplicate the experience of a drug hitting the brain. It’s so ludicrous, so exact, and so wonderfully transcendent that I can’t help loving Lou Reed for dedicating his life to making songs of the depraved. Not just for the hopeless, but music that spits back that private experience—just in case you’ve never had the pleasure—and makes it sound so beautiful.

I’d also like to point everyone to this obituary for Ronald Shannon Jackson, drummer for Last Exit, The Decoding Society, Albert Ayler, Ornette Coleman, and many others. It’s from Jeffrey Taylor’s excellent Jazz Diaspora column, part of the Line Out blog at The Stranger. That piece is the reason I picked up Köln last week and played it on the show. It’s definitely worth digging through previous entries in the Diaspora series, and Köln is an album that anyone interested in Peter Brötzmann, Bill Laswell, or Sonny Sharrock should check it out.

Almost no label links this time, as most of them wouldn’t help very much. You can find many of these records very easily  from the stores, shops, and distributors listed at the bottom of this page. Any questions or requests, send me an email (see the about page).

Thanks for listening.

Laughter: October 27th, 2013 – Hour 1 and Hour 2

  1. The Velvet Underground, “White Light/White Heat” from White Light/White Heat (1996) on POLYDOR – originally released in 1968 on Verve
  2. The Velvet Underground, “What Goes On” from The Velvet Underground (1996) on POLYDOR – originally released in 1969 on MGM
  3. The Velvet Underground, “Venus In Furs” from The Velvet Underground & Nico (1996) on POLYDOR – released in 1967 on Verve
  4. The Velvet Underground, “The Murder Mystery” from The Velvet Underground (1996) on POLYDOR — originally released in 1969 on MGM
  5. John Coltrane, “Mars” from Interstellar Space (2000) on IMPULSE — originally released in 1974 on Impulse, recorded in 1967
  6. Eddie Gale, “A Walk with Thee” from Eddie Gale’s Ghetto Music (2003) on WATER MUSIC — originally released in 1968 by Blue Note
  7. Joe McPhee, “Nation Time” from Nation Time (2000) on ATAVISTIC — originally released in 1971 on CJ Records
  8. Bill Dixon, “Pellucity” from Vade Mecum (1994) on SOUL NOTE — included in the Black Saint/Soul Note 9CD set
  9. Eric Dolphy, “Straight Up And Down” from Out to Lunch (1964) on BLUE NOTE
  10. Noah Howard, “Ole Negro” from The Black Ark (2007) on BO’WEAVIL — recorded and released in 1969, on Freedom Records
  11. Last Exit, “Hard School” from Köln (2005) on ATAVISTIC — recorded in 1986, Discogs shows the first release as 1990 on ITM Records
  12. Miles Davis, “Miles Runs The Voodoo Down (fragment)” from Bitches Brew (2010) on COLUMBIA/LEGACY — originally released in 1970 on Columbia