Tahliah Barnett’s first full-length record nearly falls apart just as it should be settling in for the long run. After an intro and two great songs that fill out Barnett’s previously restrained sound, no less than three additional writers and four producers show up for “Hours,” each one contributing to a bloated, awkward middle that feels out of touch with everything Twigs has ever touched.
The guilty party includes Eminem and Lana Del Rey producer Emile Haynie, Florence and the Machine cohort Dev Hynes, instrumentalist extraordinaire Michael Volpe, aka Clams Casino, and Arca, who was Barnett’s primary co-conspirator for EP2. With a bevy of bakers like that in the kitchen, “Hours” can’t help but sound aimless and over done, languid even. And unfortunately Twigs does little to help out as she lays some of her weakest, most blandly provocative lines over the top: “How would you like if my lips touched yours / and they stayed close baby till the stars fade out / How would you like it if I sucked before I bite? / But it wasn’t too hard so it felt alright.”
Paul Epworth, probably best-known for producing and co-writing “Rolling in the Deep” with Adele, surfaces next, notching a writing and production credit of his own into the liner notes. Unsurprisingly, his contribution gives LP1 a borrowed, polished, and radio-friendly sheen, one that veers disappointingly close to cheap AM soul-funk territory with its over-slick, faux-seedy guitar and keyboard licks.