The list of Rutger Zuydervelt’s collaborations runs long and crosses disciplines the way most Bostonians cross the street. From records with Will Long (Celer), Nils Frahm and Peter Broderick to soundtracks and scores for Chris Teerink (Sol LeWitt) and Alexander Whitley (The Measures Taken) to sound installations for the Museum Oud-Amelisweerd and Schouwburgplein in Rotterdam — one would be forgiven for thinking the Machinefabriek name covered the work of an entire artists collective and not the output of a single Nederlander from Apeldoorn.
His latest work, Attention, the Doors are Closing!, was produced for the Dutch-Spanish choreographer Iván Pérez, who conceived and developed this piece for the contemporary dance division of the Moscow Ballet. Pérez’s stated intent was to mine the social and psychological complexities of living in Russia, and to do so by placing a special emphasis on the role of intimacy, a concept that he understands rather broadly: the intimacy of taking the bus to work, of hearing your neighbors through the walls, of bumping into someone at work, and the usual suspects, too, like falling in love.
If the music is any indication, the unspoken subtext of the ballet is all tension, fear and paranoia. Zuydervelt taps into these uncomfortable states for the duration of his score, a knife-like, often pitch-black affair that will probably strike most listeners as being unsuitable for dance.