The Peter Brötzmann feature in this month’s issue of Wire magazine has me busting my copy of Machine Gun out again—and admiring the first decent Wire cover in ages. Machine Gun sounds better to me now than it did when I first heard it 14 or 15 years ago, when I was 15 or 16 years old. I remember hearing the opening saxophone blast for the first time and laughing, both out of surprise and because it delivered exactly what the album title promised: a scary, rapid fire blast built up from three saxophonists, two bassists, two drummers, and a lonely pianist. Brötzmann’s intensity and volume is mentioned in nearly every review his music gets (for good reason), but there’s a lot of great humor and subtlety folded into his music too: listen long enough to the song below and you’ll hear what sounds like a riot passing through a football game at a university. The Complete Machine Gun Sessions is currently out of print, but according to the Atavistic website you can find it at places like iTunes or eMusic. Recommended listening.